There was a flowering in the output of metal vessels and utensils at Athens, particularly during the 5th century. Its importance often goes unrecognized, because at Athens, unlike other regions, objects of this sort were normally not used as grave-deposits. So we have very few specimens found on site. The normal item is a lebes of the sort used as a ash urn. Research in recent years has led to the conclusion that there were many other vessels of this kind made in Athens. These would have included types such as the drinking vessel (kantharos, kylix, and phiale), the oinochoe, and the hydria. In the latter half of the 5th century, there was a very popular group of hydriai decorated with busts of Sirens. The Athenian toreuts are also believed to have made use of decorative figures on hydria handles, in the 4th century, as clay moulds for figures of this kind have been found in the Agora. The moulds would have made mass-production of an item easier and quicker.


A large vessel like the krater or the lebes often had decorative figures in the round, like those found on the Acropolis. In among the other Athenian toreumata we find household utensils and tools; lamps and lampstands; censers; cheekpieces of helmets decorated in high relief; and large numbers of hand-mirrors. These last were often plated with silver and chased. A second group has relief scenes.

Athenian silversmiths got their raw materials from the mines at Laurium and from the spoils taken from the Persians. They reached their peak in the 5th century: ancient writers give them an excellent press and quite frequently refer to a smith by name. The best of them were Mys (who collaborated on at least piece with the painter Parrhasius) and Mentor (famous for the four pairs of vases he made at the start of the 4th century. Incomparable specimens of Athenian silverwork are known to us from Thrace and Scythia. They are embellished with engraved and gilded pictures. Both in technique and in subject they recall red - figure pottery. Many Athenian craftsmen may have emigrated to Macedonia and other centres of toreutic production in the years after the Peloponnesian War, but output of silver vessels obviously never stopped until the very end of the 4th century, when several silver hydriai made by Nicocrates from Colonos were dedicated at the Parthenon.


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